In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art - LACMA (August 27, 2018)

Khosrow Hassanzadeh, Remember - LA (August 27, 2018) - by QH

Khosrow Hassanzadeh, Remember


Yasmin Sinai's Gordafarid - LA (August 27, 2018) by QH

Yasmin Sinai's Gordafarid


Yasmin Sinai's Gordafarid - LA (August 27, 2018) by QH

Yasmin Sinai's Gordafarid


Siamak

Siamak Filizadeh


Siamak Filizadeh works from the series 'Underground' - LA (August 27, 2018) by QH

Siamak Filizadeh - Anis al-Daula


Siamak Filizadeh works from the series 'Underground' - LA (August 27, 2018) by QH

Siamak Filizadeh - Mirza Riza Kermani


Siamak Filizadeh works from the series 'Underground' - LA (August 27, 2018) by QH

Siamak Filizadeh - Return from Europe


Parviz Tanavoli, Lion and Sword II and III - LA (August 27, 2018) by QH

Parviz Tanavoli, Lion and Sword II and III


Shoja Azari, Icon #1-5 (2010) - LA (August 27, 2018) by QH

Shoja Azari


Shoja Azari, Icon #1-5 (2010) - LA (August 27, 2018) by QH

Shoja Azari


In the Fields of Empty Days Exhibit - LA (August 27, 2018) by QH

In the Fields of Empty Days Exhibit


Shahnameh Ferdowsi - LA (August 27, 2018) by QH

Shahnameh Ferdowsi


Shahnameh Ferdowsi: Sohrab Fights Gordafarid - LA (August 27, 2018) by QH

Shahnameh Ferdowsi: Sohrab Fights Gordafarid


Sara Mashayekh  & Khodadad Rezakhani looking at Nasseredin Shah by Iranian artist Parviz Tanavoli - LA (August 27, 2018) by QH

Nasseredin Shah by Parviz Tanavoli


Siamak Filizadeh work - LA (August 27, 2018) by QH

Siamak Filizadeh work & K. Rezakhani


Ramin Haerizadeh - LA (August 27, 2018) by QH

Ramin Haerizadeh, "He Came, He Left, He Left, He Came," 2010


Malekeh Nayiny: All in Pink - LA (August 27, 2018) by QH

Malekeh Nayiny


In the Fields of Empty Days Exhibit - LA (August 27, 2018) by QH

In the Fields of Empty Days Exhibit


Shoja Azari: Idyllic Life - LA (August 27, 2018) by QH

Shoja Azari: Idyllic Life


Shirin Neshat Images from the series The Book of Kings - LA (August 27, 2018) by QH

Shirin Neshat Images from the series The Book of Kings


Newsha Tavakolian - LA (August 27, 2018) by QH

Newsha Tavakolian


Ardeshir Mohassess - LA (August 27, 2018) by QH

Ardeshir Mohassess


Ardeshir Mohassess - LA (August 27, 2018) by QH

Ardeshir Mohassess


Kaveh Golestan photographs of the revolution - LA (August 27, 2018) by QH

Kaveh Golestan


In the Fields of Empty Days Exhibit: Farshid Mesghali's Shazdeh Ehtejab  - LA (August 27, 2018) by QH

Farshid Mesghali's Shazdeh Ehtejab


In the Fields of Empty Days Exhibit - LA (August 27, 2018) by QH

In the Fields of Empty Days Exhibit


Koushna Navabi: Mussy Duck - LA (August 27, 2018) by QH

Koushna Navabi: Mussy Duck


In the Fields of Empty Days Exhibit - LA (August 27, 2018) by QH

In the Fields of Empty Days Exhibit


Fereydoun Ave, Untitled from the series Rostam - LA (August 27, 2018) by QH

Fereydoun Ave, Untitled from the series Rostam


Khosrow Hassanzadeh, Pahlavan II, Ready to Order - LA (August 27, 2018) by QH

Khosrow Hassanzadeh, Pahlavan II, Ready to Order


Sadegh Tirafkan The Loss of Our Identity - LA (August 27, 2018) by QH

Sadegh Tirafkan The Loss of Our Identity


In the Fields of Empty Days Exhibit: Bahman Jalali, Nicky Nodjoumi, - LA (August 27, 2018) by QH

Bahman Jalali, Nicky Nodjoumi


Hussein Qular Aqasi - LA (August 27, 2018) by QH

Hussein Qular Aqasi


Pouya Afshar - LA (August 27, 2018) by QH

Pouya Afshar


In the Fields of Empty Days Exhibit - LA (August 27, 2018) by QH

In the Fields of Empty Days Exhibit


In the Fields of Empty Days Exhibit - LA (August 27, 2018) by QH

In the Fields of Empty Days Exhibit


(Los Angeles-February 22, 2018) The Los Angeles County Museum of Art (LACMA) presents In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art, a groundbreaking exhibition of both historical and contemporary Iranian works that highlight ways in which artists have used and continue to use the past as a metaphor for the present day. This notion is revealed in art and literature in which ancient kings and heroes are used in later contexts as examples of virtue or as objects of derision, while long-gone Shi'ite saints are evoked as champions of the poor and the oppressed. Particularly timely to American audiences is the exhibition's exploration of how Iranian artists negotiate the politically charged issues of governance and faith in creating objects both novel and relevant.

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Two Artists In the Fields of Empty Days /// Museum Exhibition

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